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The Kid By  Sapphire

The Kid

by Sapphire

Mem. Ed. $17.99

Pub. Ed. $25.95

You pay $0.50

INTERVIEW WITH LISA CORTES
EXECUTIVE PRODUCER OF PRECIOUS: A FILM BASED ON THE NOVEL PUSH BY SAPPHIRE

Did you read PUSH prior to optioning it for the screen?
I first read Push when it was published in 1996. I was a big fan of the spoken word scene in New York and had seen Sapphire read.

What was the hardest part about adapting the book version, which is rich in narrative and prose, to a screenplay?
The hardest part was living up to the characters and world that Sapphire had so powerfully created and finding creative ways to transpose them and their interior worlds onto the screen. But here's where the magic of film comes into play, we can show/illustrate a fantasy and build upon what was given to us in the book.

Books and films are two very different mediums. Did you work closely with Sapphire to stay true to the original text or did you have to embellish for visual purposes?
Sapphire said "I'm not a filmmaker, I'm a writer" and trusted in the creative team. She read a draft, gave great notes and then let us do our thing. Much of the dialogue in the film is taken directly from the book. The cinematography and special FX were used to translate and expand what Precious' world looks and feels like.

How did you first get into producing?
When I left the music business I was looking for an opportunity to continue working with diverse creative voices. I went back to school and studied film production and film theory. I took my past experience in music and started producing music videos and electronic press kits. I volunteered at festivals and befriended young filmmakers. And then one day Lee Daniels, an old friend, called and said how would you like to come to New Orleans and work on a film that I'm producing? That film was Monster's Ball.

What advice would you give an author who wants to have their book optioned for film or TV?
As Malcom X said "By any means necessary". Connect with filmmakers who you think would be interested in your work. Go to film festivals. Find a professional representative who works in film and television and can shop your material. Promote yourself and your product. Are you tweeting? On Facebook when you make an appearance? Do you let your database know about sales and special awards? You have to "rep" you!

Take us through the book to screen process.
It all begins with passion and vision of what CAN BE. Once you find that project you first have to option the rights to adapt it and then create a script. Next is assembling a creative team and finding the best people to be on screen and behind the screen. Oh yes, money! Budgeting and financial support to produce the film. Production. Post production which encompasses editing and incorporation of music and visual effects. Film Festival Premiere and then in our case a sale to Lionsgate, who are our distributors. And lots of prayer!

How do you feel about all the Oscar buzz and accolades you guys got at all the Film Festivals this year?
This film was 4 years in the making. The blessing is that we were able to do it with great actors and with much love for the integrity of Sapphire's book. Recognition is fantastic and always welcome but it's the work that will live on forever.

The Kid

The long-awaited follow-up to Sapphire’s Push, the basis of 2009’s Academy Award-winning film and a classic book in its own right, The Kid continues the sad, troubled legacy of the unforgettable Precious Jones, now giving voice to her son.

We meet Abdul Jones when he’s just nine years old, at the funeral of Precious. Now left all on his own to navigate the same flawed system that plagued and tortured his own mother, we follow Abdul through heartache and struggle as he faces a world where nothing ever makes sense, where love and hate come similarly packaged, where he must protect himself against unspeakable violence—and, ultimately, the darkness of his own heart.... But it’s really what Abdul makes of what he has that makes all the difference in his life and destiny. From a Mississippi dirt farm to Harlem in its heyday, from a poorly-run orphanage and into his adulthood, this is an amazing journey of a courageous kid “with no future” to try and make one for himself. Masterfully accomplished and powerfully written, The Kid is filled with drama, pain and family dysfunction, but is also an inspiring testament to the power of the human spirit and the deep, nourishing power of love.

Hardcover Book : 384 pages

Publisher: Penguin Group USA ( July 05, 2011 )

Item #: 13-377735

ISBN: 9781594203046

Product Dimensions: 5.5 x 8.25 x 0.865inches

Product Weight: 16.0 ounces (View shipping rates and policies)


October 16, 2012

Couldn't follow this book, got have way though it before putting down....it had me confuse and constantly going back in book.

Reviewer: tacha

Made little to no sense
July 25, 2012

I just knew when i purchased this book it was going to be a great follow up to Push...We would see how hard Precious worked be matured into her son....But WTH happened!!! More rape, more rape and misery!!! Then i could not follow the book at all!!!

Reviewer: ndavidsn82


June 24, 2012

THIS BOOK WAS THE WORST!!! I HAVE NO IDEA WHAT WAS GOING ON. IT WAS ALL OVER THE PLACE. JUST WHEN I DID START GETTING INTO IT SHE WENT ALL THE WAY LEFT FEILD WITH THE STORY AGAIN.. SMH DNT NO IF SOMEONE WROTE THIS BOOK AND SLAPPED HER NAME ON IT BUT IT WAS A 2 THUMBS DOWN FOR ME

Reviewer: disappointed


May 08, 2012

I'm still reading the book now. It took some real concentration in order to not get confused while reading the book. It's ok in my opinion.

Reviewer: Sheniqua

WEIRD!!!
April 18, 2012

I'm starting to think Sapphire was high as a kite when she wrote this. PUSH was easier to read and understand. This book was all over the place. So glad I didn't buy it! I wasn't sure if the boy was dreaming or if his state of mind was due to the fact that he was a product of incest. The ending just left me hanging and the last 50 pages were just randomly weird for no apparent reason. I have no idea what was going on in her head when she wrote this mess; she was doing way too much with this one.

Reviewer: Amethyst

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